Demakersvan biography sampler

  • The lace fence was developed by dutch design house demakersvan.
  • @peterprintnl invited me to be part of their new sample book.
  • Demakersvan.

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    ORNAMENT

    "ORNAMENT". Design Dictionary: Perspectives on Design Terminology, edited by Michael Erlhoff and Timothy Marshall, Berlin, Boston: Birkhäuser, 2008, pp. 274-276. https://doi.org/10.1007/978-3-7643-8140-0.274b

    (2008). ORNAMENT. In M. Erlhoff & T. Marshall (Ed.), Design Dictionary: Perspectives on Design Terminology (pp. 274-276). Berlin, Boston: Birkhäuser. https://doi.org/10.1007/978-3-7643-8140-0.274b

    2008. ORNAMENT. In: Erlhoff, M. and Marshall, T. ed. Design Dictionary: Perspectives on Design Terminology. Berlin, Boston: Birkhäuser, pp. 274-276. https://doi.org/10.1007/978-3-7643-8140-0.274b

    "ORNAMENT" In Design Dictionary: Perspectives on Design Terminology edited by Michael Erlhoff and Timothy Marshall, 274-276. Berlin, Boston: Birkhäuser, 2008. https://doi.org/10.1007/978-3-7643-8140-0.274b

    ORNAMENT. In: Erlhoff M, Marshall T (ed.) Design Dictionary: Perspectives on Design Terminology. Berlin, Boston: Birkhäuser; 2008. p.274-276. https://doi.org/10.1007/978-3-7643-8140-0.274b

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  • demakersvan biography sampler

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    Lace in Translation

    Lace in Translation
    Design Center at Philadelphia University
    Closes April 3

    Visitors to The Design Center at Philadelphia University have just weeks left to see Lace in Translation, the ground-breaking exhibition of contemporary work that redefines historic lace, before it closes on April 3, 2010. The exhibition has drawn several thousand visitors and groups from all over the U.S. The Design Center has hosted tours for the Los Angeles County Museum of Art, Maryland Institute College of Art, the Costume Society of America, the Embroiderers Guild of America, the Textile Museum of Washington, D.C., St. Andrews College of Grahamstown, South Africa, University of Delaware, West Virginia University, and the Philadelphia Public Arts Forum, among many others.

    For this pioneering exhibition, The Design Center (TDC) has created a 102-page richly illustrated exhibition catalog, featuring essays written by Matilda McQuaid and Nancy E. Packer. An exceptional reference for all those interested in design, art, and industrial history, the catalog is filled with full-color reproductions and photographs of intriguing source materials — elegant drawings, machine-made lace samples, and savvy marketing materials — that served as touchstones of inspiration for the co

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