Dorothy herzka liechtenstein biography of mahatma

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  • He married his second wife, Dorothy Herzka, in 1968.
  • DOROTHY LICHTENSTEIN: One time somebody was doing a short film on Roy [Lichtenstein], and they came to Captiva to interview me, but they really wanted to.

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    Robert Rauschenberg: An Oral History 9780231549950

    Citation preview

    Robert Rauschenberg

    The Columbia Oral History Series

    The Columbia Oral History Series Edited by Mary Marshall Clark Amy Starecheski Kimberly Springer Peter Bearman

    Robert Rauschenberg An Oral History

    Edited by Sara Sinclair with Mary Marshall Clark and Peter Bearman

    Columbia University Press New York

    Columbia University Press Publishers Since 1893 New York Chichester, West Sussex cup.columbia.edu Copyright © 2019 Columbia University Press All rights reserved

    Library of Congress Cataloging-in-Publication Data Names: Sinclair, Sara, editor. | Clark, Mary Marshall, editor. | Bearman, Peter S., 1956– editor. Title: Robert Rauschenberg : an oral history / edited by Sara Sinclair with Mary Marshall Clark and Peter Bearman. Other titles: Robert Rauschenberg (Columbia University) Description: New York : Columbia University Press, 2019. | Includes bibliographical references and index. Identifiers: LCCN 2018060641 (print) | LCCN 2019000796 (e-book) | ISBN 9780231549950 | ISBN 9780231192767 (cloth : alk. paper) Subjects: LCSH: Rauschenberg, Robert, 1925–2008. | Artists—United States—Biography. Classification: LCC N6537.R27 (e-book) | LCC N6537.R27 R64 2019 (print) | DDC 709.2 [B] —dc23 LC record avai

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    Roy Lichtenstein

    One of the most difficult things surrounding Lichtenstein’s work is the popular conception that Lichtenstein appeared out of nowhere producing the works that are popularized under the ‘Pop Art’ umbrella. Prior to 1961 Lichtenstein had been a progressive and prolific painter and sculptor whose works demonstrated an eclectic range of influences. Images such as ‘Reclining Woman’ 1942 and ‘Head’ 1946 (below)

    Reclining Woman

    Head

    are quite characteristic of Lichtenstein’s works prior to the late 40’s. Throughout the late 40’s and prior to the 60’s Lichtenstein openly experimented with works influenced by Abstract Expressionism and paintings that acknowledged the influence of individual artists (particularly Picasso). Images such as ‘Untitled’ and ‘The Musician’ (below) are examples of this.

    ‘Untitled’ 1959 Oil on canvas

    ‘The Musician’

    1948, oil and graphite on canvas

    Lichtenstein on Lichtenstein

    •  “Color is crucial in painting, but it is very hard to talk about. There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency t
    • dorothy herzka liechtenstein biography of mahatma

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