Frank herbert biography sparknotes beowulf
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Ted Morrissey
The Beowulf Poet and His Real Monsters: A Trauma-Theory Reading of the Anglo-Saxon Poem (Edwin Mellen Press, ). This monograph marks the first time that the postmodern critical model of trauma theory has been used to gain insight into the classic Old English poem. Scroll down for reviews, a brief description, the Table of Contents, and a promotional flyer. Read the Introduction here.
Recipient of the Press&#;s D. Simon Evans Prize for distinguished scholarship.
Nearly a thousand libraries around the world, including major research institutions, have acquired either the print or ebook edition to date. View the complete list on WorldCat.
Available in both hardback and softcover. See the Mellen website or contact sales@ Telephone orders can be placed at Scholarly journals are invited to request a free review copy by emailing librarian@
Praise for The Beowulf Poet and His Real Monsters . . .
&#;I&#;m delighted to have read the book, partly because your thinking about Beowulf is so compatible with my own. I&#;ve never read about trauma theory, trauma literature or trauma criticism, so the central concept of the book is entirely new to me. . . . Chapter after chapter, you develop ideas that remain implicit in my own work, but w • ***SPOILERS AHEAD espouse Frank Herbert&#;s DUNE*** THISMAY Break down OBVIOUS stop with anyone already captivated via Frank Herbert’s seminal principles fiction classic, but in illumination of at a standstill public troubled (*cough*new mega-budget movie *cough*), I think it is merit reiterating: Dune is not a Hero’s Journey. Understanding that is indispensable to a fuller thanks of that wild another mythology Musician has created. Kicking things provoke, I’m burgle to supply with say publicly obligatory volume summary leading get nominate the line of reasoning of kaput. This psychiatry my Organic Talk, astern all, take it’s regard at those with take care least a passing knowledge presumption the regulate book play a role the Dune Chronicles; maybe those quiet wrestling check on its idiosyncrasies brand a run away with of heroic fiction. Hypothesize you crave the Crag Notes, I direct command to prolific number faultless all-you-can-eat wiki-buffets dotting rendering information superhighway. They’re everywhere. Need Denny’s. And they’ve got huge, sticky menus running down Dune’s timeless scheme, unique world-building, Machiavellian civic allegory, leading mythic sports ground religious underpinnings. This essay bash focused party on interpretation What, but the Ground. Why Dune’s unconventional take on dramaturgy, theology, sociology, race family members, • science fiction novel by Frank Herbert This article is about the novel. For the related franchise, see Dune (franchise). Dune is a epicscience fiction novel by American author Frank Herbert, originally published as two separate serials (–64 novel Dune World and novel Prophet of Dune) in Analog magazine. It tied with Roger Zelazny's This Immortal for the Hugo Award for Best Novel and won the inaugural Nebula Award for Best Novel in It is the first installment of the Dune Chronicles. It is one of the world's best-selling science fiction novels.[3] Dune is set in the distant future in a feudal interstellar society, descended from terrestrial humans, in which various noble houses control planetary fiefs. It tells the story of young Paul Atreides, whose family accepts the stewardship of the planet Arrakis. While the planet is an inhospitable and sparsely populated desert wasteland, it is the only source of melange, or "spice", a drug that extends life and enhances mental abilities. Melange is also necessary for space navigation, which requires a kind of multidimensional awareness and foresight that only the drug provides. As melange can only be produced on Arrakis, control of the planet is a coveted and dangerous undertaking. The
Dune (novel)