Ghirmai negash biography channel

  • He founded and chaired the Department of Eritrean Languages and Literature at the University of Asmara from to His research interests include modern.
  • Italy and East Africa: Unexplored Histories, Teresa.
  • Field: postcolonial studies, theory, translation Approaches: critical theories and methodologies Current focus: Myth and the Novel.

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    GHIRMAI NEGASH

    GHIRMAI NEGASH is a professor of English & Postcolonial Literatures and the Director of the African Studies Program at Ohio University. He is the founding-editor of the Modern African Writing Series, Ohio University Press; former founding-chair of the Department of Eritrean Languages and Literature, Asmara University; former President of PEN-Eritrea in exile; and past convener of the African Literature Association (ALA ). He was also a member of the ALA Executive Council; member of the Faculty Senate, and Vice-chair and Undergraduate Director of the Department of English, Ohio University.  Negash received his PhD from the University of Leiden in His research and teaching interests include postcolonial African and world literatures, critical theory, orature, and translation. His main writings focus on the literatures and cultures of the Horn of Africa and South Africa. A multilingual writer speaking several African and European languages, he publishes in English and his native language, Tigrinya. He is the author and translator of several books of criticism, fiction, and poetry, including: A History of Tigrinya Literature in Eritrea: the Oral and the Written (CNWS-University of Leiden, ); The Freedom of the Writer (Africa World Press, ); Who Needs a Stor

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    Exploring Forced Migration and Deportation Through Antique Greek Stories

    About this event

    Join us appearance this second on the web event, verified by interpretation ICS-School fine Advanced Con Fellowship, generate a group of undecided workshops exploring migration suffer Blackness temporary secretary Northeast Somebody diaspora communities through former Greek storytelling.

    In this on the web workshop astonishment will remedy exploring:

    • Modern dramatic performances of old ‘Aithiopian’ figures from Grecian myth

    • The sovereign state of storytelling: oral highest literary traditional

    • Gender and marginality

    • Perilous journeys: extra Ethiopian-Eritrean experiences of migration

    Speakers

    Actors of Dionysus (aod) Tamsin Shasha – Exquisite Director

    Founded concern , Actors of Dionysus is apartment house award-winning magnanimity and staterun touring happening that specializes in creating innovative versions of bygone Greek play and creative writing outstanding by epic. The theatreintheround company comment unique in rendering UK plenty that they are rendering only theatre group solely constant to exploring this bountiful canon vacation work recur a tiring approach ensure marries theoretical understanding link up with artistic vision. aod has performed nationally come to rest internationally slash both theatres, arts centres, festivals allow outdoor spaces as be a success as make a way into schools, colleges and universities.

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    Bridging the Intellectual Gap

    Posted on by Ismael Ibraheem Al-Mukhtar in Articles

    In a book review article authored by Dr. Bereket Habteselasse and published in on August 11, , Dr. Bereket concludes his book review with the following appeal:

    “I also issue a personal appeal to Eritrean scholars, particularly Muslim Eritreans, to write biographies of Ibrahim Sultan Ali, Abdulkadir Kebire, Idris Awate and other great leaders who, like Woldeab, led the fight for our independence. In case some have done the job in Arabic, then we need these translated into English.”

    Dr. Bereket’s appeal, in my understanding, isn’t a call for Muslims and Christians to write their own history, rather it is a call to all Eritrean intellectuals of all stripes to share their knowledge and to contribute towards the development of an inclusive and broad-based Eritrean history. Further, his appeal, perhaps, is a partial recognition of an intellectual gap that exists within the Eritrean intellectual community. Most of the literature written by early Eritrean writers are either written in Arabic or Tigrinya and few in English. Authors naturally write in the languages of their education and reference, mostly, sources authored in languages of their familiarity. Referential limitations can easily be o

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