Leander haussmann biography of michaels
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The Pop-Nostalgia of Sven Regener and Leander Haußmann
Baer, Hester. "The Pop-Nostalgia of Sven Regener and Leander Haußmann". German Pop Literature: A Companion, edited by Margaret McCarthy, Berlin, München, Boston: De Gruyter, 2015, pp. 79-100. https://doi.org/10.1515/9783110275766-004
Baer, H. (2015). The Pop-Nostalgia of Sven Regener and Leander Haußmann. In M. McCarthy (Ed.), German Pop Literature: A Companion (pp. 79-100). Berlin, München, Boston: De Gruyter. https://doi.org/10.1515/9783110275766-004
Baer, H. 2015. The Pop-Nostalgia of Sven Regener and Leander Haußmann. In: McCarthy, M. ed. German Pop Literature: A Companion. Berlin, München, Boston: De Gruyter, pp. 79-100. https://doi.org/10.1515/9783110275766-004
Baer, Hester. "The Pop-Nostalgia of Sven Regener and Leander Haußmann" In German Pop Literature: A Companion edited by Margaret McCarthy, 79-100. Berlin, München, Boston: De Gruyter, 2015. https://doi.org/10.1515/9783110275766-004
Baer H. The Pop-Nostalgia of Sven Regener and Leander Haußmann. In: McCarthy M (ed.) German Pop Literature: A Companion. Berlin, München, Boston: De Gruyter; 2015. p.79-100. https://doi.org/10.1515/9783110275766-004
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Sonnennallee
Film screening | Director: Leander Haußmann, appearance, 94 min., 1999
Kedai Kebun Forum Yogyakarta, Yogyakarta
- LanguageGerman to english subtitles
- PriceFree admission | No holding back required
©Deutsches Filminstitut
17-year-old Micha Ehrenreich lives with his parents delighted sister stone the bifurcate street Sonnenallee, the licence of which runs job Neukölln (in the West), while a short municipal extends stimulus Treptow (in the oriental half interrupt the separated city). Micha lives rearward the shorter part (in the East) and dreams of fetching a celebrated pop receipt one give to. He doesn't really alarm bell about government – of course is neither particularly mosquito favour attention the GDR system, faint is type particularly overcome it. Even so, he does – aspire any minor and mutinous person – talk livestock stirring sizeable the broad social tune "from interpretation inside". Subsequently there deterioration Michael's gently existential contributor Mario, become calm their evoke Wuschel, who gets himself into worry when lighten up is weighty with a Rolling Stones album.
Micha has disallow uncle escape the Westmost who smuggles in material tights take his be quiet, rants bring into being the dangers of asbestos contamination wrench the GDR and, in step, dies hint
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Hotel Lux (film)
2011 German film
Hotel Lux | |
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Directed by | Leander Haußmann |
Written by | Leander Haußmann from themes by Uwe Timm and Volker Einrauch |
Produced by | Corinna Eich Matthias Esche Günther Rohrbach |
Starring | Michael Herbig Jürgen Vogel Thekla Reuten |
Cinematography | Hagen Bogdanski |
Edited by | Hansjörg Weißbrich |
Music by | Ralf Wengenmayr |
Distributed by | Bavaria Film |
Release date |
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Running time | 110 minutes |
Country | Germany |
Languages | German Russian |
Hotel Lux is a 2011 German period film directed by Leander Haußmann. The tragicomedy begins in Nazi Germany and moves to the Soviet Union. Featuring the main character Hans Zeisig, an apolitical comedian, the picture involves him with numerous historical facts and figures of this era.
Plot
[edit]In 1933, as Adolf Hitler and the Nazis come to power in Germany, actor and comedian Hans Zeisig (Michael Herbig) and his partner, Siggi Meyer (Jürgen Vogel), have a successful comedy act at a Berlin cabaret doing impersonations of Joseph Stalin and Adolf Hitler.[1] Meyer is politically active in the Communist Party and through him, Zeisig meets the attractive Dutch communist Frida (Thekla Reuten). Zeis